Cathedral Basilica of St. Joseph, San Jose, CA February 13, 2015
Diana’s current musical project is her heartfelt love and immersion in the harp music of Latin America. For over 3 decades, Diana has studied with some of Latin America’s finest harpist-teachers including: “arpa llanera” arpistas from the plains regions of Venezuela and Columbia: Carlos Rojas, Javier Montoya, Carlos Orozco, Luis Gonzoles; Paraguayan masters: Alfredo Ortiz, Carlos Reyes Jr. and Snr., Ramon Romero; Mexican arpistas: Alberto de la Rosa, William Faulkner, Artemio Posadas; and Andean harpist Edmond Badoux. She also studied with Bay Area Latin harpist, Sandy Smith, a senior student of Alfredo Ortiz.
Over the years, Diana has performed on her exquisite Sono Lugo traditional harp made by master harpmaker, Angel Maria Lugo of Caracas, Venezuela. In July 2016, Diana purchased the just released “Llanera” harp made by Camac harps in France. This remarkable Latin harp took many years for the designers and craftspeople at Camac to bring into the world. They worked closely for many years with the specifications of Columbian harp virtuoso Edmar Castaneda, whose name adorns top of the pillar (see photo below).
Brezo’s Latin Fusion Restaurant, Pt. Richmond CA. May 13, 2017
With this stunning new harp, Diana has embarked on her mission to not only bring the beautiful harp music of Latin America to her audiences, but also to encourage her harp students to learn, perform, and when possible compose in the various Latin styles. Some of her students who have done this include professional harpists: Liza Wallace https://www.lizawallace.com), Amelia Romano (https://www.ameliaromano.com), Portia Diwa (http://www.portiadiwa.com), and others.
Only a tiny fraction of the harpists in Latin America are women. Harps in Latin America are typically played only by men. Diana believes that women playing Latin harps music will bring significant additions to this very masculine harp style. All of her private students are taught a variety of Latin harp pieces (from Venezuela, Mexico. Columbia, Paraguay, the Andes regions of Peru and Ecuador). Also, the Bay Area Youth Harp Ensemble, which she directs, regularly performs pieces from Latin America, and have been doing so since BAYHE was formed in 1999.
Lesson with Carlos “Metralleta” Orozco
An active composer of new repertoire for the harp, Diana has been composing Latin-influenced music since 1986.
Diana is Founder and Director of the Multicultural Music Fellowship—MCMF (http://multiculturalmusicfellowship.org)–a CA 501 c 3 non-profit. It was founded in 1989 to promote the Harp in all it’s many forms, especially focusing on the folk harp traditions of countries throughout the world. The Festival of Harps concert series (https://multiculturalmusicfellowship.org/festival-of-harps/) which Diana directed for over 20 years (https://multiculturalmusicfellowship.org/history-of-the-harp/) always included a Latin harpist in the multicultural line-up; along with workshops and private lessons offered by these arpistas to Bay Area harp students.
In 2006, along with her student Portia Diwa, they formed the Mission Harp Ensemble (MHE; https://multiculturalmusicfellowship.org/mission-harp-ensemble/) whose mission is to teach Latino children how to play Latin harp. Their first location was at the Mission Neighborhood Health Center in the upper Mission district of San Francisco. This highly successful endeavor introduced this beautiful music to young Latino girls. MHE resulted in not only bringing some new harpists in the world; but we found playing harp in MHE increased the girls sense of self-esteem, gave them new social skills, and created lasting friendships within the group. MHE has completed many classes over the years in schools, recreation centers, churches, and other venues. An offshoot of MHE has been summer harp classes at the well-known Mission Cultural Center in San Francisco.